Wednesday, April 30, 2008

Article on Athens Twilight

This year I didn't go to Athens Jeff, Curtis, Karel, and Ryan will be filling out the race report about that race and some of the others that they are doing in the "Speedweek" series.

But, Athens is the original...the fastest...the most fun (and painful) criterium that I've ever done (and 99% of the crit racers will agree). Below is an article written by an ex-Pro rider from the Athens area. It was published many years ago, but I think it helps capture the atmosphere that is the "Athens Twilight"...

Road Rage
What It’s Like To Be On A Bike In The Twilight

The Athens Twilight Criterium is, by consensus, the fastest one-hour of bicycle racing on this planet. The speed is insane. The maniacal speed is a direct result of the course - it's a one-kilometer rectangle that riders can whip around without braking, even through the corners. If a rider even feathers the brakes, he's (she's) losing ground. The Twilight is an opportunity for a rider to slap his chain onto the big ring, open the throttle and flat-out haul arse. The insane speed is also a direct result of the racers. These are the adrenaline junkies, the ones with the need for speed, the fastest guys and gals in the world over short distances. These lunatics can lean their bikes, and their bodies, around this one-kilometer rectangle at precarious angles and ludicrous speeds that defy Sir Isaac's general principles, and maybe one or two of Moses' ten tenets. Going this fast must be a sin. But if you think this race is all fun and games, think again.

Easy Riders
You see them before the race - glabrous and glistening, heavily oiled, gliding philosophically on their bikes through the parking lot. They're wearing a tan fit for a bejeweled and bedaubed country club wife with a heavily insured husband. They look cool; they look calm - like an unprepared, but veteran trial attorney. But look closely: inside they're falling to pieces; they're coming undone. If you took their shirts off, you'd see: their brittle torsos are as white as cotton. The tan's a façade. They may even be smiling now, but as Conway and Loretta would say, "It's only make believe." The Twilight averages over 30 miles-per-hour for one solid hour. This is no joking matter. Does a condemned man rejoice in the moments before placing his back to the wall and his chest towards the muzzles of a dozen pointing rifles? It's absurd to think so. These aren't nihilists. These are disco sprinters (vainglorious fools) who think getting dropped in this race, in front of everyone, is a fate worse than death. These moments of dread and despair before the race feel like a hundred little rats chewing on the inside of your stomach. In these worrisome moments, many riders realize that they, like Henry Fleming, might fling the rifle and head for the hills in a moment of impending catastrophe - their red badge of courage a poop stain in their pants. When a racer is standing at the starting line, he does his best impression of a relaxed rider. But relaxing when thousands are staring laser-guided missiles through you ain't easy. And, it's too noisy to concentrate - this Rabelaisian crowd is cackling like a henhouse full of lusty roosters. The pretend-unperturbed rider's heart is actually beating against his chest like a sledgehammer pounding on a thin tin roof.

Mad Dash
A couple hundred corralled cyclists are bobbing and bouncing like a field full of insaniatics, waiting for the gate to fall so they can escape from the asylum. The riders on the front row don't dare look back; they don't want the riders behind to see the terror raging in their eyes. Their common consideration? They might be trampled to death in the very near future. When the gun finally fires to start the race, a rider sprints to the first corner as if his life depends on it. It might. It's the maddest dash of the entire race - the dash to the first turn. If a rider makes it to the turn first, or near the front, he can hit the throttle and floor it out of the corner and accelerate down the road with no obstructions. Clear sailing. If he gets to that first corner too late, its like a bucket of sand poured into a small funnel; it just takes a little time to get all of it through. The point: in the Twilight, if a racer comes out of the first turn too far back, his race is over and it's only 10 seconds old. Finis. Finito. The End. Good Night, Irene! In order to survive 60 laps, the total distance of this race, a rider must get through the first lap unscathed and well placed. He can't be too far back from the front. Generally, only 50 or so will finish. The rear of the field is like the tail of a whip. The unfortunate souls at the wrong end of the single-file line are getting whipped and tossed about like a fly in a tornado. If a rider can't hold the wheel directly in front - that is, keep his front wheel about six inches from the forward rider's rear wheel, sometimes while traveling at speeds topping 40 miles per hour - his night won't last long. It is impossible to bridge gaps in this race. If a rider 20 places in front of you allows a gap to open, he and everyone behind him will be out this race in a matter of seconds. It is a modern-day example of Darwinism: to live, one must keep up with the herd. Become separated, and the vultures will soon feast.

Speed Demons
If the racer is still alive at the end of the first lap, and not too far in arrears, then he must bury his muzzle in the crack in front of him and hold on for his honey's life. During the first 10 laps, a rider's pain meter is quivering at the far end of the red zone. He is feeling the scalding lactic burn in his legs caused by excessive speed. The fastest riders in the world are uncorking the top-shelf bottles of high-octane. These merchants of speed know that in the first 10 laps they can cause an explosion in the field. Over half the field will get dropped, quit the race or crash in the first five laps. The disco sprinters want to shred the field and dump as many riders as possible, now. This leaves fewer to contend with later. In most criteriums, if a rider survives the first 10 laps, he knows he will survive until the end. In most criteriums, after the initial frantic, escape from the Titantic-like frenzied free-for all, there is an ever-so slight decrease in speed. A small incremental drop in speed can do wonders for a rider's ability to stuff his lungs back down his esophagus and recover his runaway breath. But the Twilight is not like "most" criteriums. In fact, it's most unusual. The speed does not drop. It is relentless. It is like trying to play chess while your heart rate is a constant 200 beats per minute. Riders carry out silent disputations with themselves in the first five laps. See one grimace; his inner self, the rational one, has just scored with a cogent point phrased as a question: this is fun? But these two-wheeled warriors, at least the ones that are left, are also master magicians, real Svengalis. They've been outwitting pain for years. Pain, they know, is strong like a bull, but smart like a tractor. They trick pain; they confuse pain; they endure pain like a visit from a mother-in-law. They force pain to a back row. And just when they think everything is under control, the race becomes faster. A rider is pedaling 37 miles per hour and is struggling to hang on. He looks up the road and sees a group of four riding away from the front of the field. He looks down at his speedometer on his handlebars. He's going 38 now. The four are still riding away. This can't be possible.

Road Runners If a rider can hang on and hold out for half the race, something happens. The demon of self-doubt is put to sleep. Confidence begins its slow drip into the veins. You don't need to see a rider's face to know: look at the way he handles his bike. A rider with confidence does not ride with his fingers over the brake levers; he's down in the drops, gripping the bars. He's sailing through turn one in a perfect arc, coming out of the corner in front of the Georgia Theatre cruising comfortably two inches from the curb, intentionally coming within centimeters of the heads of the habitués that are stretched out over the barricade. (No one's ever been beheaded.) He's smiling. He's entered the Zen-zone. This is special. If a rider makes it to the end, there is another factor to consider. Pro teams are expected to win. This is no longer about sportsmanship and fair play, if it ever was. Riders bump and grind and jostle for position. Various invectives are hurled. Psychological tactics are employed. The best sprinters in the world play a terrifying game of chicken: hit the brakes or hit the fence, take your pick. Back off Jack! Riders may be at The 283 Bar afterwards downing a cold beer, but at this point in the race, this is a job. This is a paycheck. This is thousands in prize money. This is winning. These boys are living. The last two or three laps of this race are spectacular. The big teams are amping up the speed as high as it can be humanly maintained. The reason: it's impossible for a rider to move up if he's 20 back and already pedaling at his limit. The disco sprinter on the team - the one expected to win - is sitting forth, fifth or sixth wheel. Out of the last corner, the sprinters have moved up and are now second, third or fourth wheel. These are the spots the winner will come from. The last 200 meters is simply a stripped-bare example of sheer speed. Racers look as if they are trying to tear their bikes apart at the seams as they pull and jerk and twist and pedal in a violent display of inner angst. They cross the line. It's all over. All smiles. That was the greatest race they've ever done. They can't wait to do it again. Have you ever watched film of mountaineers climbing Everest? They're miserable. Their teeth chatter like a jackhammer. Have you heard them speak of their experiences after they return? They can't wait to go back. They're sick, the whole lot of them!

-David Crowe